Poulenc’s Dialogues des Carmélites is a very unusual opera. It breaks all the rules and yet, done well, is an immensely compelling piece of music theatre. There are no show stopper arias. The ensemble numbers are mainly drawn from Catholic liturgy. And yet it maintains a coherent and compelling narrative arc that builds steadily to an emotionally devastating conclusion. The Glenn Gould School’s current production at Koerner Hall directed by Stephen Carr gets all the elements right and makes for a memorable evening at the opera.
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