Tag Archives: gillis

The internet is a monster

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Octet, by Dave Malloy, opened at Crow’s Theatre on Wednesday evening.  I guess it’s Crow’s big musical this year; a kind of follow up to Pierre, Natasha and the Great Comet, but it’s actually a very different kind of show.  One major difference is musical.  All the singing is a capella which puts extra demands on the singers (and isn’t unpleasantly loud).  The whole cast; eight of course, are really rather good singers and pull off the solo and ensemble numbers extremely well.  They can also act and they are backed up by a really effective lighting plot Imogen Wilson) and video (Nathan Bruce) that pretty much replace the set, which is pretty basic.

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Games people play

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Edward Albee’s 1962 classic Who’s Afraid of Virginia Woolf? opened at Canadian Stage on Thursday evening in a production directed by Brendan Healy.  It’s a long (not far short of 3.5 hours with two short intervals) and complex play; heavily dependent on quick-fire dialogue and with occasional outbreaks of absurdism.  An older academic couple invite the “new man” and his wife back for drinks after a faculty party at a small New England college.  George, a historian of modest distinction, is married to Martha, the daughter of the college president.  The newcomers are Nick, a biologist, and his wife Honey.

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Pierre and Natasha

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Musical theatre is not usually my thing but given the consistently high standard of everything at Crow’s theatre in the last couple of years I was prepared to take a punt on Dave Malloy’s Pierre, Natasha and the Great Comet of 1812 despite knowing full well it was a Broadway musical.  The bottom line is I found it a very odd experience.  There was plenty to like and I kind of get why people like shows like it but It’s still really not my thing but I don’t think I’m the target audience.

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The Shape of Home

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The Shape of Home is a show about the life and works of Al Purdy currently being presented by the Festival Players in the Studio Theatre at the Streetcar Crowsnest. Actually I think it’s about a lot more than Al Purdy.  It does tell his story and use his poems as song material but in the creative process something a bit magical happened. It was created during lockdown using Zoom with the creator/participants messaging back and forth with ideas, snippets of songs and (mostly dark) thoughts.  The creative process must have been gruelling and at times disheartening but the final result is a show of high energy, and humour.  But above all it’s life and art affirming.  Performed in the tiny Studio Theatre it’s also very intimate.  For the first time since the theatres reopened I felt I had got my old life back.

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