The Kupfer/Barenboim Ring continues very strongly with the second instalment, Die Walküre. It opens in quite a straightforward, more or less realistic way. Hunding’s hall is slightly abstracted with a recognizable tree. It’s quite spare though which creates space for the strong interpersonal dynamics between Siegmund and Sieglinde. Poul Elming is a very physical, almost manic Siegmund and Nadine Secunde’s Sieglinde is almost as physical. It’s all very intense and beautifully sung. Matthias Hölle as Hunding is no slouch either.