Barbara Hannigan is the Snow Queen

As written, Hans Abrahamsen’s The Snow Queen is a fairly dark piece that cleaves pretty closely to the original Hans Christian Andersen story. The production at the Bayerische Staatsoper (in an English version adapted by Amanda Holden from the original Danish) and recorded in Munich in 2019 takes it to a new level of complexity and darkness. Director Andreas Kriegenburg has added additional avatars of the children Gerda and Kay to the scene creating three Gerda/Kay pairings. There are the children as children played by actors. There’s an adolescent pair played by mezzo-soprano Rachael Wilson as Kay and an actor, Anna Ressel, as adolescent Gerda and a forty-something couple played by soprano Barbara Hannigan as Gerda and actor Thomas Graßle as Kay.

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A static Tristan

Dieter Dorn’s production of Tristan und Isolde for the Metropolitan Opera is one of the most interesting from a design point of view that I have seen from the Met.  If only the direction of and acting of the principals in this recording (made in either 1999 or 2001; sources differ) was up to the same standard!

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Finding the Holy Grail

Yesterday’s Met Live in HD broadcast of Parsifal was one of the best I’ve seen.  The production is highly effective, the starry cast lived up to the hype and the video direction was sensitive and true to the staging.  Any reservations I have about the experience are due to the work itself but that may be matter for another day.  It certainly reinforced my belief, consolidated by seeing Tristan und Isolde twice recently that these big Wagner operas are high risk, high reward.  When they come off they are incredible.  When they don’t it’s six hours of one’s life gone missing.

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