There’s a lot to like in the COC’s revival of Robert Carsen’s production of Gluck’s Orfeo ed Euridice that opened at the Four Seasons Centre on Thursday evening. I don’t think Gluck gets much better. Full review at bachtrack.com.
Photo: Michael Cooper
Amy Lane’s production of Gounod’s Roméo et Juliette at the COC is eye catching and enjoyable but doesn’t offer the same level of insight as her Faust last season. My full review is posted at bachtrack,com.
Photo: Michael Cooper
My review of last Thursday’s TSO season opener is now published on bachtrack.com.
Photo credit: Alan Cabral
My review of the TSO’s concert on Wednesday night with Stewart Goodyear and Kristiina Poska is now up at Bachtrack.
Photo credit: Allan Cabral, courtesy of the TSO
@bachtrack
My review of the COC’s revival of the Robert Carsen production of Eugene Onegin is now posted at bachtrack.com.
Photo: Michael Cooper
#bachtrack
My review of the COC’s production of Berg’s Wozzeck that opened on Friday is now up at bachtrack.com.
Wozzeck continues at the Four Seasons Centre until May 16th.
Photo credit: Michael Cooper
#bachtrack
My review of Sunday’s Roy Thomson concert by the Vancouver Symphony is now up at Bachtrack.
@bachtrack
My review of Bilodeau/Bouchard’s La Reine-garçon at the COC is now up at Bachtrack.
TL:DR everything I want in a new opera pretty much.
Photo credit: Michael Cooper
My review of the COC’s season opener; Verdi’s Nabucco, is now up at @bachtrack
Photo credit: Michael Cooper
My review of Wednesday’s concert at the TSO with Emily D’Angelo is now up at Bachtrack.
Photo credit: Allan Cabral
@bachtrack
operaramblings 