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Last night the lemur and I braved the biggest snow storm in several years to catch Tristan und Isolde at the Four Seasons Centre.  It was the same production I saw last Tuesday but with Michael Baba and Margaret Jane Wray replacing Ben Heppner and Melanie Diener in the title roles.  I was also sitting at the front of the Orchestra Ring which is a very different sight line than the back of Ring 3.  There’s no way to avoid saying this, it was hugely disappointing and especially so as it was the first time the lemur had seen the show and I had been talking it up excitedly since Tuesday.  Baba and Wray sounded underpowered and under-rehearsed.  The big Act 2 duet, O sink’ hernieder, Nacht der Liebe, that had left me literally shaking on Tuesday merely left me shaking my head.  What had been a glorious, transcendent, hypnotic wave of sound had turned to mush.  It was a relief when Franz-Josef Selig, King Marke, took over.  At last we got some Wagnerian singing of style and class.  Act 3 wasn’t much better.  To be fair, the rest of the cast was just as good as on opening night and the orchestra deservedly got the loudest and longest applause of the night.  But Tristan und Isolde needs, as Isolde points out, Tristan and Isolde.

Tristan und Isolde - 0013 - Credit Chris Hutcheson

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