Sighs Too Deep For Words

Friday evening at Heliconian Hall saw the second of two performances of Confluence Concerts’ Sighs Too Deep For Words: A Canadian Valentine.  It was an all Canadian concert featuring songs and spoken word including two world premieres and a performance of Omar Daniel’s 2005 piece Neruda Canzones.

The spoken word pieces, read beautifully by Alison Beckwith, ranged from Lucy Maud Montgomery to Margaret Atwood.  Some pieces straightforwardly celebrated romantic love and others came at it a bit sideways!  Songs by Canadian composers were well represented With Derek Holman, Jeffrey Ryan and John Beckwith all represented.  Anaïs Kelsey-Verdecchia performed (with Christopher Bagan) her own setting of “The Lark in the Clear Air” and Patricia O’Callaghan gave us her setting of “Some by Fire” with Chris again at the pianio, Andrew Downing on bass and a backing group.  So many styles!  No-one could say that Canadian music is samey or boring. Continue reading

Rocking again

Seven years ago Tapestry Opera premiered Gareth Williams and Anna Chatterton’s Rocking Horse Winner at the Berkeley Street Theatre.  Last night they opened an eight show re-run at Crow’s Theatre, once again directed by Michael Mori.  There are lots of similarities and a some differences between the productions and I’m going to concentrate on the latter so if you aren’t familiar with the piece you might want to read my 2016 review.

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