Fazil Say and friends

This year’s 21C Festival opened last night at Koerner Hall with Turkish pianist and composer Fazil Say performing some of his works with the help of a few friends.  It was a pretty varied evening considering all the works were by one person.  The opening pieces Gezi Park 2 and Gezi Park 3 are reflections on the Gezi Park protests of 2013.  The first is for solo piano and is by turns dramatic and meditative.  It uses a fair amount of extended piano technique and is highly virtuosic with great rhythmic complexity.  In the second piece the composer was joined by a string quartet (Scott and Lara St. John – violins, Barry Scxhiffman – viola and Winona Zelenka – cello) and mezzo-soprano Beste Kalender.  This work was both expressive and dramatic building on the musical language of the first piece with the additional textures of the strings (more extended technique) and a lot of rather beautiful vocalise from Beste.  It’s an impressive piece.

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Nordic Voices and Marion Newman

The Gryphon Trio pulled out of Wednesday night’s Toronto Summer Music concert for, one supposes, the usual reason.  This forced a reorganisation of the concert.  Elliot Britton’s new piece was cut and instead we got an extended set from the Nordic Voices as the first part of the concert.  Actually the first piece was for a very extended Nordic Voices.  Andrew Balfour’s Omaa Bindig supplemented the vocal sextet with Marion Newman and Jamie Parker (piano) plus a number of string players and voices lined up down the sides of Walter Hall.  It’s one of those soundscape works that envelops you in a variety of sounds and techniques.  I wish I could find the text but I can’t (surtitles used last night as they have been all through TSM… yay!)

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