Nihilist Night at the Opera

punchLater this month I’ll be attending a double bill of Barber’s A Hand of Bridge and Jean-Paul Sartre’s Huis Clos.  The latter, for those who don’t know the play, is the one with the famous line “L’Enfer; c’est les autres”.  I posted the details earlier.  Anyway, this led me on a train of thought that ended with the idea of Nihilist Night at the Opera; a sort of antidote to Rossini.  Ideally Nihilist Night would feature a double or triple bill of unrelievedly depressing operas and should leave the audience with no hope at all for humanity.

What might qualify?  Wozzeck coupled with Moses und Aron seems just about ideal.  Want something more contemporary?  How about Turnage’s Greek coupled with Birtwistle’s Punch and Judy?

The lines are open.

Do not expect the form before the ideal

headThat headline is pretty typical of the English translation of the libretto of Schoenberg’s Aron und Moses.  “Holy is genital power” is another gem.  The whole thing is basically an extended debate about the nature of God with Moses arguing for an extreme degree of abstraction and Aron championing a more populist version that “the people” can relate to.  There are ideas in there that could probably be staged quite spectacularly, such as the Golden Calf scenes and a spot of human sacrifice.  There’s even a fairly decent opportunity for an orgy.  In their 1975 film Daniele Huillet and Jean-Marie Straub reject any opportunity for visual excess or even representation almost as rigidly as Moses himself.

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