Le siège de Corinthe

Le siège de Corinthe is a 1826 reworking, for Opéra de Paris, of Rossini’s earlier Maometto II so besides, of course, being in French it is restructured as a three act tragédie lyrique with a substantial ballet in Act 2.  The plot is straightforward enough.  It’s the mid fifteenth century.  Mahomet II is besieging Corinth but unknown to him the king, Cléomène’s, daughter Palmyra is the girl he fell in love with during an incognito trip to Athens.  Cléone has promised Palmyra to his top warrior Néoclès.  After Corinth falls Mahomet promises clemency to the Greeks as long as Palmyra marries him.  She agrees and is cursed as a traitor by her father.  The marriage doesn’t happen for various reasons and Palmyra flees to the camp of the once again revolting Greeks.  When they are defeated for a second time she commits suicide rather than submitting to Mahomet.

1.bottles

Continue reading

Duelling tenors

Rossini’s Ricciardo e Zoraide isn’t performed all that often but it has appeared a number of times at the Pesaro Rossini Festival.  In 2018 it got a new production there from the creative team of Opera Atelier with a rather starrier cast than is usual in their Toronto productions followed by a DVD/Blu-ray release.  It’s actually not too hard to see why the piece isn’t done more often despite its many good qualities.  It requires four tenors; at least two of which need to be absolutely top notch Rossinians and a soprano of equal quality.  None of the roles are easy.  It’s also a bit mixed dramatically.  The libretto is a rather convoluted crusader story set in Africa.  Agorante has captured Zoraide and wants to make her no.2 wife.  No.1 wife Zomira is unimpressed.  Ricciardo disguises himself to try and rescue Zoraide.  Zoraide’s father shows up.  Agorante is about to have essentially everyone executed when the crusaders, led by Ernesto, rush in and everybody makes up.  There are some really effective scenes and others that just seem to drag on.  Musically it’s pretty good though.  It’s never less than well crafted and at times; the first half of act 2 especially, there’s some great music including a crackerjack tenor duet, a fantastic display aria for soprano and some really good ensembles.

1.ballet

Continue reading