Le siège de Corinthe

Le siège de Corinthe is a 1826 reworking, for Opéra de Paris, of Rossini’s earlier Maometto II so besides, of course, being in French it is restructured as a three act tragédie lyrique with a substantial ballet in Act 2.  The plot is straightforward enough.  It’s the mid fifteenth century.  Mahomet II is besieging Corinth but unknown to him the king, Cléomène’s, daughter Palmyra is the girl he fell in love with during an incognito trip to Athens.  Cléone has promised Palmyra to his top warrior Néoclès.  After Corinth falls Mahomet promises clemency to the Greeks as long as Palmyra marries him.  She agrees and is cursed as a traitor by her father.  The marriage doesn’t happen for various reasons and Palmyra flees to the camp of the once again revolting Greeks.  When they are defeated for a second time she commits suicide rather than submitting to Mahomet.

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A black hole in Florence

Carlus Padrissa’s (of La fura dels baus) take on Verdi’s La forza del destino for the Maggio Musicale Fiorentino is nothing if not ambitious.  He interprets this rather banal and meandering melodrama as a tale of cosmic inevitability.  Leonora and Alvaro are metaphors for two stars, which after an epic journey through time and space, will collide and form a black hole extinguishing each other.  FWIW the recording was made in June 2020 under COVID restrictions so the chorus is masked and it sounds as if the theatre is a lot less than full.

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High tech Orfeo marred by artsy video direction

La Fura dels Baus mounted a spectacular production of Gluck’s Orfeo ed Euridice at the Festival Castell de Peralada in 2012.  The concept has the orchestra in costume, on stage and fully involved in the action.  There are lots of video projections and spectacular lighting effects.  In fact at times the whole thing resembles a son et lumière.  There’s also lots of aerial action.  It’s all rather exciting.  Great work from director Carlus Padrissa.

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