Robert Carsen’s clean, refined production of Handel’s Semele originated in Aix, was recorded in Zürich and eventually made it’s way to Vienna and Chicago.  In many ways it is classic Carsen.  It’s elegant and uncluttered, is strong on the detailed Personenregie, has a consistent design concept but isn’t really pushing a concept driven agenda.  It’s also quite funny without descending to priapic donkeys.  Also there are lots of chairs.

Continue reading →