Pergolesi’s relatively popular comedy La serva padrona was originally intended to be performed as an intermezzo for his opera seria Il prigionier superbo. It’s therefore fitting that recordings by substantially the same forces, though recorded two years apart, should be released as a package. The recordings were made at the Teatro G.B. Pergolesi in Jesi in 2009 and 2011 respectively. Both performances were directed by Henning Brockhaus and feature the Accademia Barocca di I Virtuosi Italiani conducted by Corrado Rovaris. The works are presented on separate disks rather than the having the two halves of the intermezzo inserted in the intervals of the more serious work as they would originally have been performed.
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Ariodante in Spoleto
Musically, the 2007 Spoleto Festival recording of Handel’s Ariodate is very good indeed. Unfortunately the production, at least as rendered on DVD, is a bit of a snooze. Director John Pascoe has chosen to set the piece in 1957 to celebrate the 50th anniversary of the festival. The court of the king of Scotland is supposed to evoke the “glamour” of the court of the young Elizabeth II. There is also a partially twisted mirror that is supposed to remind us of the deception and self-deception intrinsic to the plot. I only know this because of the bonus interview with Pascoe as video director Matteo Ricchetti completely ignores it. There’s also a recurrent appearance of an image of Ginevra (Handel having fortuitously stumbled upon le nom juste for a character supposed to remind us of Margaret Windsor) framed by the garter ribbon and motto. Subtle. Continue reading
