King Gilgamesh and the Man of the Wild opened at Soulpepper on Wednesday evening but I saw a preview on Sunday which forms the basis for this review. It’s an unusual and compelling show with a clever story line, some terrific acting (verbal and physical) and a Sufi influenced Arabic jazz band for good measure.
Necessary Angel Theatre Company’s production of Sarah Ruhl’s Letters From Max, a ritual opened at The Theatre Centre on Wednesday night. It’s based on the correspondence and relationship between Sara Ruhl; a middle aged academic, mother of three, and Max Ritvo; her student and aspiring poet/playwright, 20s with a persistent and very nasty cancer. For almost two hours the characters exchange poems, thoughts, philosophy and more while Max tries to fulfil those dreams we all have when we are young against the backdrop of knowing he probably won’t live to, while Sara gets on with being a middle class mom.
operaramblings 