Jaromir Weinberger’s Frühlingstürme has been called “the last operetta of the Weimar Republic”. It premiered in 1933 in Berlin with some success before being banned by the Nazis. The background is sombre enough. We are at the HQ of a Russian Army in Manchuria during the Russo-Japanese war of 1905. Against this backdrop we see two (or perhaps three) love affairs play out. Lydia Pavlovska is a widow exiled from Petersburg because of the Grand Duke Mikhailovitch’s infatuation with her. The commanding Russian general, the elderly and “good natured” Kachalov, is in love with her. She discovers that her old flame, Japanese major Ito, is operating as a spy at Kachalov’s HQ disguised as a Chinese servant. Meanwhile the general’s daughter-from-hell Tatiana has fallen for the scheming reporter from Berlin Roderich Zirbitz, who happens to be the author of a very uncomplimentary article about her father.
News just in that Jordan de Souza, currently with the COC, National Ballet of Canada and Tapestry, will be moving to Berlin later this year to take up the position of Studienleiter (Head of Music) at the 
operaramblings 