Rienzi

Wagner’s Rienzi is really quite an interesting work.  It follows the conventions of the French grand opera rather than the more integrated structure of most of the later works, although as presented in Toulouse in 2012 some of those elements, for example the ballet, have been removed in the interests of cutting the work down to manageable size.  Even with the Toulouse cuts it runs three hours.

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Die Frau ohne Schatten at the Met

We caught Richard Strauss’ Die Frau ohne Schatten at the Met on Wednesday night.  Expectations were high.  It’s Strauss, and rare Strauss at that.  It was our first time at the Met.  The on-line opera world was abuzz with Christine Goerke’s performance as the Dyer’s Wife.  By and large we weren’t disappointed.

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