Hypothetical Baby; written and performed by Rachel Cairns and directed by Courtney Ch’ng Lancaster for the Howland Company and currently playing at Tarragon Theatre, is about abortion… sort of. It certainly centres on one woman’s abortion; Ms. Cairns’ in fact and the somewhat weird and tortuous processes involved in obtaining what is, after all, a medical procedure in Canadian law. But it’s also about that loaded word “choice”. I think I’ve been hearing the slogan “A woman’s right to choose” all my life and I’ve never dissented from it but I’ve never though very hard about what “choice” was being implied. Rachel Cairns takes us there in all its complexity. Because one possible choice is to bring another human being into a profoundly problematic world. Can one afford to raise a child (because even in a rich country like Canada parents don’t get much help)? What is the carbon footprint of an extra human? What impact will it have on the lives of everyone concerned. What if one is a lousy parent?
Here are a few more gigs that I didn’t check in my earlier February post.
October 11th to November 6th at Crow’s Theatre it’s Rajiv Joseph’s Bengal Tiger at the Baghdad Zoo. “During the chaos of the 2003 American occupation of Iraq the lives of two American marines intersect with an Iraqi gardener as they search through the rubble of war for friendship, redemption, and a toilet seat made of gold.”
October 26th at 8pm at Koerner Hall Philippe Jaroussky is appearing with Ensemble Artaserse. It’s a rare chance to hear somewhat controversial countertemor Jaroussky sing with orchestra in an ideal venue. The concert includes works by a range of baroque composers. Some of the material is relatively familiar; “Cara sposa” from Rinaldo for example, but much is by less well known composers such as Hasse and Ferrandini. Artaserse Ensemble is a leading period instrument band that, besides Jaroussky, has appeared with such singers as Cecilia Bartoli and Andreas Scholl.
operaramblings 