L’Opéra de Quat’sous

l'operadequat'sousI’m guessing that most people are at least somewhat familiar with Berthold Brecht and Kurt Weill’s Die Dreigroschenoper which exists in several English translations including, sadly, the most commonly encountered one; the heavily bowdlerised version used on Broadway, which is source of the awful version of “Mac the Knife” inflicted on an unsuspecting world by sundry crooners.  There’s now a very interesting French version which has been recorded for CD

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Cavalli at the court of Louis XIV

Cavalli’s Ercole Amante is an oddity.  It was intended as a wedding present from Cardinal Mazarin to Louis XIV but got hijacked by Lully who inserted a bunch of ballets for the king to dance stretching out the piece to something like six hours.  It wasn’t a great success.  It’s also a very odd story for a piece intended for a royal patron as I explained in reviewing an earlier recording.  It’s also in Italian which may make the only French court work to be performed in that language.

1.allegory

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