Opera 5 do Hahn and Offenbach

Opera 5’s latest show presents two rarely seen French one act operas.  First up was Reynaldo Hahn’s  1897 work L’île du rêve.  It’s one of those French officer falls in love with beautiful sixteen year old girl on tropical island and then “duty” calls and he dumps her and she dies of a broken heart pieces.  The only twist is that here he offers to take her back to France but the ruling princess advises her that, away from the island, she will lose her charms and he’ll come to despise her so she doesn’t.  A touch of French worldliness colouring this rather overdone plot device perhaps?  The staging, by Aria Umezawa, is fairly simple though clearly a lot of thought went into how to make the intimate scenes between the principals work.  There are also some rather beautiful projections involved.

O5-Offenbach & Hahn-L'ile 1 Continue reading

What’s green and blue and Carsen all over?

Robert Carsen’s production of Britten’s A Midsummer Night’s Dream is as visually striking as any of his productions.  It’s also one that’s done the rounds, playing in Aix and Lyon before being recorded by a strong cast at the Liceu in Barcelona in 2005.  The challenge with Dream is to create visual worlds for the Fairies and the Mortals that are different but work together.  Carsen and his usual design team do this very well in this case.  The Fairies are given striking green and blue costumes with red gloves.  The mortals mostly run to white and cream and gold and they seem to spend a lot of time in their underwear.  The lighting, as always with Carsen, forms an important part of the overall design.  Carsen completists will also notice certain other characteristic touches like starkly arranged furniture.

1. Fairies Continue reading