British art song in the late 20th century

msvcd92025The first half of the 20th century was a sort of golden age for British art song unparalleled since the days of Purcell and Blow.  There are works by, inter alia, Finzi, Britten Vaughan Williams and Butterworth that are still staples of the repertoire.  After the second world war though it starts to tail off and I’m hard pressed to think of songs/song cycles from the last two or three decades of the century that have become at all popular.  In fact, it seems to me, the most popular art song like works from this period are stage works which are based on a cycle of songs like Maxwell Davies’ Miss. Donnithorne’s Maggot. I was interested then to come across a 1999 CD of (actual) songs for voice and piano written since 1970.  The CD is Peripheral Visions by soprano Alison Grant and pianist Katherine Durran.  

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The Seven Deadly Sins

yesNew kids on the block , The Friends of Gravity, presented their first show last night at St. Bartholomew’s Anglican Church on Dundas East.  It was a silent film themed take on Weill’s Die Sieben Todsünden.  Stephanie Conn sang both Anna I and Anna II in front of a film screen showing black and white film clips shot by Scott Gabriel for the show, replacing the ballet of the original.  The Family, who pop up mostly to criticize the Annas were sung by Charles Fowler, Christopher Wattam, Bryan Martin and William Lewans.  Scott Gabriel conducted his own arrangement of the score for a six piece band including accordion and ukulele.

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