Solti’s Siegfried

solti_siegfriedThe remastered SACD release of Siegfried from the Solti Ring cycle is now out.  There’s only so much I can add to my reviews of Die Walküre and of the sampler disk of the whole cycle.  Overall observations about the technical side of the record remain valid and the Vienna Philharmonic is again fabulous.  The packaging is as with Die Walküre… luxurious.

The singing is also very fine and I didn’t have any reservations about anyone sounding “dated”.  Hotter and Nilsson are again fantastic and Wolfgang Windgassen’s Siegfried combines beauty and power in full measure. Gustav Neidlinger and Kurt Böhme are back as Alberich and Fafner to good effect.  Gerhard Stolze is effective (and not too affected) as Mime and there’s the famous cameo as the Woodbird by Joan Sutherland.  Solti’s conducting is once again thrilling.  He’s not afraid to take things at pace but can also be intensely dramatic and lyrical; sometimes at the same time.  Culshaw’s “soundstage” effects come off really well, especially in the Fafner’s lair scene.  This is another impressive instalment in an impressive project.

The version I listened to is the the four SACD disk release.  It’s also available (for roughly the price of a Nibelung’s horde) as five vinyl LPs or much, much cheaper digitally in formats ranging from MP3 to 192kHz/24 bit FLAC which I suspect will be very good but not quite up to SACD quality.

Catalogue number: Decca 4853161

Paramore shall welcome woe

Various thoughts about the Channel 4 film of Britten’s Owen Wingrave led to me seeking out the original BBC TV version from 1970, now available on DVD.  It’s extremely interesting and worthwhile.  Britten himself conducts and the cast includes many of the people involved in the first productions of many other Britten operas.  They include Peter Pears (General Wingrave/Narrator), John Shirley-Quirk (Coyle), Benjamin Luxon (Owen), Janet Baker (Kate), Heather Harper Mrs.Coyle) and Jennifer Vyvyan (Mrs. Julian).  The quality of the music making is superb and I found myself constantly surprised and delighted by details brought out by Britten supported by the excellent English Chamber Orchestra.  At the same time, the fluent and idiomatic singing pointed up the excellence of Myfanwy Piper’s libretto.  This really is Britten at his best.

1.portrait Continue reading