Adled

adlers-aria_aside

Aria with Maika’i Nash and Rachel Krehm. Photo – Denise Grant

Last time I spoke to Opera 5’s Aria Umezawa she was about to head off to San Francisco to join SFO’s Merola program.  Now she’s been named as an Adler Fellow for 2017; the first stage director since 2002 to be named to the program.  She’ll be joined by pianist/coach Jennifer Szeto, also of this parish, and another Canadian; Vancouver soprano Sarah Cambridge.  I have greatly enjoyed Aria’s work with Opera 5 and hope that this is a step on the road to a major career as an opera director.  The full story on this year’s Adlers is here.

Renée and her frocks

John Cox’s production of Massenet’s Thaïs at the Metropolitan Opera is probably most remembered for the rather extraordinary collection of Christian Lacroix frocks that Met perennial Renée Fleming gets to wear.  It’s rather more than that.  In fact it’s a pretty good example of what the Met does best.  It’s sumptuous and spectacular and has a pretty much ideal cast which, together, go a long way toward making this curious piece rather enjoyable.

1.athaneal Continue reading