I’ve been following developments in use of technology in the theatre for a few years now and, to be honest, I’ve seen lots of theory and not a lot of practice though Tapestry’s RUR: A Torrent of Light did use motion capture. The Turandot recorded at the Liceu in Barcelona in 2019 takes it to a whole new level though.
Carlus Padrissa’s (of La fura dels baus) take on Verdi’s La forza del destino for the Maggio Musicale Fiorentino is nothing if not ambitious. He interprets this rather banal and meandering melodrama as a tale of cosmic inevitability. Leonora and Alvaro are metaphors for two stars, which after an epic journey through time and space, will collide and form a black hole extinguishing each other. FWIW the recording was made in June 2020 under COVID restrictions so the chorus is masked and it sounds as if the theatre is a lot less than full.
operaramblings 